Tuesday, 9 September 2008

Marijuana mavericks Cheech & Chong return to the stage after more than 25 years






TORONTO - For a mates of laidback stoners, they sure know how to hold a grudge.

It has taken more than 25 years for Cheech & Chong to put aside their longstanding differences, with the mirthful pair apparently at loggerheads until just a few months ago.

But that's all behind them now, assert reunited comedians Cheech Marin and Tommy Chong, world Health Organization say they're excited to be resuming their beloved pot-loving alter-egos for a North American tour that kicks off Sept. 5 in Ottawa.

"There was always a neat love thither, as well as a bit of annoyance," Marin says by phone from Los Angeles of the duo's rocky relationship and how they managed to get beyond the bickering.

"It's like being married, you know, for that longsighted, you just kind of get ill of the other person."

Edmonton-born Chong says the squabbling started back in the mid-1980s, when Marin decided to do the comedy film, "Born In East L.A.," without his longtime cohort.

"That was kind of tough," Chong says in a separate phone interview from Sydney, N.S., where he had a comedy show last week. "It's kind of tough being a better half when your partner does a film without you."

"After that, he sort of went his way and I went my way."

Marin, who was born in Los Angeles, went on to a mainstream performing career, grading recurring roles in TV shows including "Nash Bridges," "Judging Amy," and more recently, "Lost," as well as appearance in diverse films. He also became one of the foremost collectors of Mexican-American art, and says he made a point of distancing himself from his juvenile, pothead persona.

"It was very conscious," the 62-year-old says of forging a unexampled identity.

"It's like turning an oil tanker around, you know. You don't blockage on a dime and speed up 180 degrees in the other direction, you genial of start up doing it one gig at a time."

Chong, meanwhile, appeared regularly on the TV sitcom "That '70s Show" and says they were in the midst of negotiating a new Cheech & Chong moving-picture show when he was imprisoned in 2003 for merchandising bongs over the Internet.

He chronicles the experience in the objective "a/k/a Tommy Chong," latterly released on DVD, and the volume, "The I Chong: Meditations from the Joint," published in 2006.

"I'm actually just starting to get back into making money," Chong says of the ordeal, claiming it came with massive legal fees and cost him "a yoke million" in income and revenue.

Today he can joke about nine-spot months he spent in prison, where he says he was taken in by aboriginal inmates and invited into the "sudor lodge society."

But while his beloved stage character believably helped ingratiate him with other prisoners, he says it besides made him a target for federal drug officers hoping to make an example of him.

"I would be offered (marijuana) by snitches and then I would be drug-tested an hour or two afterwards," says Chong, 70. "It was that obvious. It happened more than once."

"When they arrested me, they thought for sure that I had a lot of prior arrests and they opinion I was this pothead idiot, you know. They thought I was my character, basically."

These days, he's promoting some other book, "Cheech & Chong: The Unauthorized Biography." Marin had no part in the envision and Chong doubts he's even register it.

"It's a taboo subject with us," Chong says.

Up until a few months ago, tensions were tranquil high, he says, noting one encounter that devolved into a massive argument.

Marin says their troubles have always revolved around world Health Organization would be in consign, but the time had come to let those grudges go.

"We're at the age that we just now don't want to indicate anymore," he says, noting recent warm up shows for the forthcoming tour were "amazing."

"So we decided non to experience a personality conflict anymore."

Chong and Marin say their new concert will feature the "superlative hits" of their life history - spanning seven albums and around 10 films - with standup from Chong.

Chong's married woman, Shelby, will open the 90-minute read with her own comedy routine.

There are no plans to make another album, but Marin says there's talk of filming the concerts for a possible DVD release.

The "Cheech and Chong Light Up America and Canada" tour kicks off in Ottawa on Sept. 5, heads to Toronto on Sept. 6, and Vancouver on Dec. 5








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Sunday, 31 August 2008

Cobalt Releases Municipal Health Cost Survey

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Thursday, 21 August 2008

For the love of Pete

AUSSIE singer-songwriter Pete Murray explains why overseas success tickles him, plus exclusive video of him singing his hit You Pick Me Up at the PinkPop festival.


Pete Murray is in bad shape. He has had no sleep since arriving in Europe five days ago because of jetlag, and an intimate cafe performance for a leading Dutch radio station looms.

He's briefly distracted from dwelling on his anxiety when a young fan and his mother ask for an autograph, just as he finishes calling home to his wife, Amanda.

An hour later, the radio performance has passed without a hitch and the tour is heading south for Landgraaf and the annual PinkPop festival the next day.




By the time he is due on stage on Sunday afternoon, the singer-songwriter -- who is one of Australia's most consistently successful artists -- is ready to kick some live butt.

Six visits to the Netherlands in the past two years and solid airplay for his songs there -- including the latest, You Pick Me Up, from the Summer at Eureka album -- mean Murray (right) is greeted in the packed tent by several thousand fans, including three blokes in the front row wearing VB T-shirts and waving an Australian flag.

The capacity crowd doesn't wait for cues. They enthusiastically sing and clap along to the hits at such volume that you have to feel a little sorry for Alanis Morissette, who is awaiting her set on the main stage next door.

Who knew Pete Murray would be so big in the Netherlands? It may seem surreal that Murray's music is slowly but surely winning audiences so far afield, but the artist sees these inroads into such markets as the realisation of a dream he had when backpacking in Europe about 15 years ago.

��A long time before I started in music, I was backpacking and, like everyone else, wanted to find a job that would allow me to travel the world. It was a dream for years,'' Murray says.

Phenomenal success in Australia would make his dream of travel and work overseas become reality.

But as any antipodean musician knows, a No.1 multi-platinum album here rarely catapults you to the top of charts in the UK and Europe.

��You can play only so often in Australia before people get sick of you -- and you are sick of you -- so going overseas gives you a real challenge,'' he says.

��But it's been more than that because, in the past, I've been able to bring the family and they love it. It's fun.''

Murray also relishes the opportunity to escape the tall-poppy scythe. He began his career as an indie darling after releasing his debut album, The Game, independently.

It took several months for his big-label debut, Feeler, to kick in, but once the anthemic So Beautiful was released, Murray was no longer an underground secret.

��I have worked my a--- off to be successful. But the thing that is difficult in Australia is that as soon as you succeed, everyone that's too cool says you are too commercial,'' he says.

��So Beautiful was a 4 1/2-minute song, which isn't exactly a commercial pop song. Opportunity was a solo acoustic song. They weren't obvious choices for commercial success.

��You come over here and you get support from radio stations that are like Triple J. Over here, they think I'm an underground act. During the interviews, they all remark that my songs aren't commercial.''

Murray and his team are astute at using their limited resources to win fans in Europe. They have a very committed team at their Dutch label, but when it comes to alerting the faithful in the UK, they rely on cyber word-of-mouth.

��No one has put money into me at all over here,'' Murray says. ��There's no hype. Anyone can go to London and sell out a small show, because the Australian contingent will come out to see you.

��What we do now is email our British fans and people in Dublin to tell them they need to buy tickets before they're snapped up by the Aussies.

��But the fact is you want to play to new fans. I'm looking at Brazil now after something that happened at home when we were recording.

��These people kept walking past the house and I was worried someone had worked out where we lived, but they were from Brazil and staying at a friend's house down the road.

��It turned out they were fans. I was intrigued as to how they knew about me -- it was because of a friend who had taken my music to Brazil after a holiday here.

��It's amazing how music travels. You never know where it's going to end up. Mine seems to creep up on people.''�

Summer at Eureka (Sony BMG) is out now.�
Pete Murray, Peninsula Lounge, Tuesday (sold out); Inferno Traralgon, Wednesday, $50, ph: 5176 0464; Forum, Thursday Aug 14 (sold out), Friday Aug 15, $53.55, Ticketek; Costa Hall, Geelong, Saturday Aug 16, $43.25, ph: 5225 1200; Ballarat Woolshed, Sunday Aug 17, $43.25, Ticketmaster; Wodonga Civic Centre, Aug 19, $50, ph: (02) 6056 1044.







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Monday, 11 August 2008

La Sonora Carruseles

La Sonora Carruseles   
Artist: La Sonora Carruseles

   Genre(s): 
Latin: Dance
   



Discography:


Salsa   
 Salsa

   Year:    
Tracks: 4




Colombian Sonora Carruseles break into the local tropical scene playing Afro-Caribbean rhythms, including a traditional bolt known as salsa brava, originated in the sixties. Formed in 1995 by composer/producer Diego Galé and Mario Rincón, the grouping became a boogaloo and original salsa revival confluence, taking all over Latin America, the U.S., and Europe after cathartic 1998's Heavy Salsa and 1999's Salsa y Fuego.





Three artists chewing on updated gum jingles

Wednesday, 2 July 2008

Rascal Flatts

Rascal Flatts   
Artist: Rascal Flatts

   Genre(s): 
Country
   



Discography:


Still Feels Good   
 Still Feels Good

   Year: 2007   
Tracks: 13


Best Of Ballads   
 Best Of Ballads

   Year: 2007   
Tracks: 14


Me and My Gang   
 Me and My Gang

   Year: 2006   
Tracks: 13


Feels Like Today   
 Feels Like Today

   Year: 2004   
Tracks: 12


Melt   
 Melt

   Year: 2002   
Tracks: 11


Rascal Flatts   
 Rascal Flatts

   Year: 2000   
Tracks: 11




Rascal Flatts, a country threesome known principally for its pleasing musical harmony, is comprised of Gary LeVox, Jay Demarcus, and Joe Don Rooney. Demarcus and LeVox, both from Columbus, OH, founded the group and later added Rooney, a Picher, OK, native. The blend like a shot known as Rascal Flatts came together when second cousins Demarcus and LeVox invited Rooney to sit down in as a reliever guitar player at a Printer's Alley gig in Nashville. Demarcus and Rooney were likewise playing in country star Chely Wright's ring at the time. The rest is history. After landing a record deal with Lyric Street Records, Rascal Flatts recorded an eclecticist mix of area, pop, R&B, and more, releasing it as the trio's debut self-titled album. "Prayin' for Daylight" became the group's first smash single. "This Everyday Love" soon followed, with nigh as many accolades. The band's second base record album, Evaporate, appeared in October 2002. With the success of offset single "These Days," Melt down sold a gazillion copies in octonary weeks. A live record album served as an amiable segue 'tween Melt and 2004's chart-topping Feels Like Today, while Me and My Gang arrived in April 2006.





David Friedman

Monday, 30 June 2008

Sarah Jessica Parker high on "Ivy"

NEW YORK (Hollywood Reporter) - Sarah Jessica Parker could soon have her first project after "Sex."


The actress is in talks with Warner Bros. to star in "The Ivy Chronicles," a story of class and the single woman in contemporary New York.


Based on Karen Quinn's novel of the same name, the project is described as following in the vein of "The Devil Wears Prada" and "The Nanny Diaries" as well as Gigi Levangie Grazer's "The Starter Wife," which became a successful limited series on USA.


It centers on Ivy Ames, an Upper East Side woman who, after losing her high-powered job and getting divorced, starts over again in a less ritzy downtown apartment. After pulling her children from private school, Ames starts a business to help upper-middle-class women get their children into elite kindergartens.


Warners is keen to cast Parker in another project after "Sex and the City" became one of the blowout hits of the summer, earning more than $300 million worldwide. Several projects were presented to the actress, who sparked to the single-mother tale.


About eight months before "Sex" became a summer smash, Parker had signed on to a romantic comedy titled "The Late Bloomer's Revolution," which HBO Films was to have produced for Picturehouse; with the dissolution of the arthouse studio, that project's status is uncertain.


Parker has had mixed big-screen results outside of "Sex." Her recent academia dramedy "Smart People" earned only $10 million at the box office, though "Failure to Launch," a film in which Parker had a leading role opposite Matthew McConaughey, earned nearly $90 million domestically for Paramount in 2006.


Reuters/Hollywood Reporter



Sunday, 29 June 2008

Simmons' Wife Asks For $480,000-a-year For Kids

Rap mogul RUSSELL SIMMONS' estranged wife KIMORA LEE SIMMONS is demanding $480,000 (GBP240,000) in child support as part of the couple's divorce settlement.
In documents filed on Wednesday (25Jun08) at Los Angeles Superior Court, the fashion model-turned-designer is asking for $20,000 (GBP10,000) per month for each of the couple's two daughters.
The papers suggest Def Jam Records co-founder Simmons' should be expected to pay the huge sum each month until 2019 for Ming Lee, eight, and 2022 for Aoki, five, according to TMZ.com
The couple wed in 1998 and split in 2006, citing irreconcilable differences.
The pair are seeking joint physical and legal custody of their children.
Both parties are also asking the court to deny spousal support for the other.